Then, as his lover is waving the tray o blessings around in front of Prem’s face, the dog LEAPS between them, knocking the tray to the ground.
Best use of a pet in Bollywood filmdom: when Prem goes to visit his lover in the house he set her up in, the family dog follows him, then runs back home and gets Pooja by the sari and drags her all the way out to the house so she will catch them in the act. One of the children’s clown dolls and a stuffed bear come to life and march around the house singing the theme song. Unfortunately, she takes him back and doesn’t even want him to apologize. Prem realizes no one will slave for him like Pooja will and he goes back to her. In the end, Rupali returns to the photographer who loves her (and is single), Saif Ali Khan, in a guest appearance. Amitabh Bachchan guests as the principal, and we learn he looks a lot better with facial hair. There is a horrible parents’ day program at the school and the untalented children wear ugly clothes and lipsync to thirty-year-old voices singing songs about how sad divorce is. Pooja sets about getting him back (god knows why) with the help of her kids and mother-in-law. When wife Pooja finds out and confronts him, he leaves her and the kids for Rupali, the model. He falls in love with a model (“36-24-36” – whatever) and then lies to his wife about it. Pooja and Prem are happily married and he runs a modeling agency and they live in the biggest house in India. Karisma Kapoor, Salman Khan, Sushmita Sen, Tabu, Anil Kapoor